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MSD 49  Modality in the Music of the Fourteenth and Fifteenth Centuries, Modalität in der Musik
des 14. und 15. Jahrhunderts, edited by Ursula Günther, Ludwig Finscher, and Jeffrey Dean.
viii+ 320 pp., 27 cm (1997) Bound copy temporarily out of stock
                                             Unbound 8.5x11 (A4) offprint       $48.00

Contents:

    1. The modescape of medieval Europe (Shai Burstyn), 1-10

    2. Consonance, mode, and theories of musica ficta (Keith Falconer), 11-30

    3. Early fourteenth-century motets with middle-voice tenors (Virginia Newes), 31-52

    4. The exceptional as an indicator of the norm (Jeoash Hirshberg), 53-64

    5. Calextone von Solage-ein ungewöhnliches Werk (Ursula Günther), 65-74

    6. Solages Ballade Calextone und die Grenzen des Tonsystems (Christian Berger), 75-92

    7. Modale und tonale Kadenzen im weltlichen Repertoire von TuB (Anna Maria Rosa-Barezzani), 93-128

    8. Mode in late-medieval planchant from Cambrai (Barbara Haggh), 129-48

    9. Modal sounds as a stylistic tendency of the mid-fifteenth century (Reinhard Strohm), 149-76

   10. Modal species and mixtures in a fifteenth-century chanson repertory (Leeman L. Perkins), 177-202

   11. Okeghem's attitude towards modality (Jeffrey Dean), 203-46

   12. 'Erratic and arbitrary' harmonies in Ockeghem's Missa Caput? (Jaap van Benthem), 247-58

   13. Transposition and mode in the motets of Johannes Regis (Sean Gallagher), 259-86

   14. The modal character of Franco-Burgundian dance tunes (Keith Polk), 287-94

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