CARAPETYAN, Armen, “Editorial” Musica
Disciplina 1 (1946):3
DAVIDSON, Archibald T., “A New Music Periodical:
Its Future Influence” Musica Disciplina 1 (1946):5
KINKELDEY, Otto, “Musical Scholarship and the
University” Musica Disciplina 1 (1946):10
EINSTEIN, Alfred, “The Greghesca and the
Giustiniana of the Sixteenth Century” Musica Disciplina 1
(1946):19
VAN DEN BORREN, Charles, “La contribution
italienne au Thesaurus Musicus de 1564” Musica Disciplina 1
(1946):33
CARAPETYAN, Armen, “The Concept of the
“Imitatione della natura” in the Sixteenth Century” Musica
Disciplina 1 (1946):47
APEL, Willi, “The Collection of Photographic
Reproductions at the Isham Memorial Library, Harvard University. A
Descriptive List, I” Musica Disciplina 1 (1946):68
STERNFELD, Frederick W., “Renaissance News”
Musica Disciplina 1 (1946):74
ROKSETH, Yvonne, “Musical Scholarship in France
during the War” Musica Disciplina 1 (1946):81
STERNFELD, Frederick W., “Bibliography of
Periodical Literature” Musica Disciplina 1 (1946):85
STERNFELD, Frederick W., “Bibliography of
Reviews” Musica Disciplina 1 (1946):86
Bibliography, “Books” Musica Disciplina 1
(1946):88
WALKER, D.P., “The Aims of Baíf’s Académie de
Poesie et de Musique” Musica Disciplina 1 (1946):91
NETTL, Paul, “The Austrian Baroque Lied”
Musica Disciplina 1 (1946):101
ANTHON, Carl, “Some Aspects of the Social Status
of Italian Musicians During the Sixteenth Century. Part I” Musica
Disciplina 1 (1946):111
HERZ, Gerhard, “Bach’s Religion” Musica
Disciplina 1 (1946):124
APEL, Willi, “A Remark About the Basse Dance”
Musica Disciplina 1 (1946):139
APEL, Willi, “The Collection of Photographic
Reproductions at the Isham Memorial Library, Harvard University. Part
II” Musica Disciplina 1 (1946):144
STERNFELD, Frederick W., “Renaissance News”
Musica Disciplina 1 (1946):149
SCHRADE, Leo, “Review: Edward E. Lowinsky, A
Secret Chromatic Art in the Netherlands Motet” Musica Disciplina
1 (1946):159
STERNFELD, Frederick W., “Bibliography”
Musica Disciplina 1 (1946):169
Notes, “Notes for Contributors” Musica
Disciplina 1 (1946):172
GHISI, Federico, “Italian Ars Nova Music: The
Perugia and Pistoia Fragments of the Lucca Codex, and Other
Unpublished Early Fifteenth-Century Sources” Musica Disciplina
1 (1946):173
ROKSETH, Yvonne, “Un Magnificat de Marc-Antoine
Charpentier (d.1704)” Musica Disciplina 1 (1946):192
CARAPETYAN, Armen, “The Musica Nova of Adriano
Willaert” Musica Disciplina 1 (1946):200
ANTHON, Carl, “Some Aspects of the Social Status
of Italian Musicians During the Sixteenth Century. Part II” Musica
Disciplina 1 (1946):222
APEL, Willi, “The Collection of Photographic
Reproductions at the Isham Memorial Library, Harvard University. Part
III” Musica Disciplina 1 (1946):235
STERNFELD, Frederick W., “Renaissance News”
Musica Disciplina 1 (1946):239
APEL, Willi, “Review: Knud Jeppesen, Die
italienische Orgelmusik am Anfang des Cinquecento” Musica
Disciplina 1 (1946):244
STERNFELD, Frederick W., “Bibliography”
Musica Disciplina 1 (1946):247
CARAPETYAN, Armen, “Editorial” Musica
Disciplina 1 (1946):253
KRISTELLER, Paul Oskar, “Music and Learning in
the Early Italian Renaissance” Musica Disciplina 1 (1946):255
TYBY, Ottavio, “La Famiglia Scarlatti (Nuove
ricerche e documenti)” Musica Disciplina 1 (1946):275
STERNFELD, Frederick W., “Renaissance News”
Musica Disciplina 1 (1946):293
COPPERSMITH, J.M., “Review: Beekman C. Cannon,
Johann Mattheson; Spectator in Music” Musica Disciplina 1
(1946):297
Bibliography, “Bibliography [1946-47],”
STERNFELD, Frederick W., comp. Musica Disciplina 1 (1946):299
GHISI, Federico, ed., “Supplement: Italian Ars-Nova
Musica.” Musica Disciplina 1 (1946): Sup.
CARAPETYAN, Armen, “Editorial” Musica
Disciplina 2 (1948):3
DE VAN; Guillaume, “A Recently Discovered Source
of Early Fifteenth-Century Music: The Aosta Manuscript” Musica
Disciplina 2 (1948):5
DE VAN; Guillaume, “Le Pedagogie musicale á la
fin du moyen age” Musica Disciplina 2 (1948):75
STERNFELD, Frederick W., “Music in the Schools
of the Reformation” Musica Disciplina 2 (1948):99
HANDSCHIN, Jaques, “Anselmi’s Treatise on Music
Annotated by Gafori” Musica Disciplina 2 (1948):123
WALKER, D.P., “The Influence of Musique mesurée
á l’antique, Particularly on the Airs de Cour of the Early Seventeenth
Century “ Musica Disciplina 2 (1948):141
BUKOFZER, Manfred F., “Two Mensuration Canons”
Musica Disciplina 2 (1948):165
GHISI, Federico, “A Second Sienese Fragment of
Italian Ars Nova” Musica Disciplina 2 (1948):173
CARAPETYAN, Armen, “The Second Summer Session of
the American Institute of Musicology in Rome” Musica Disciplina
2 (1948):179
CARAPETYAN, Armen, “Dedication [to Yvonne
Rokseth]” Musica Disciplina 2 (1948):187
ELLINWOOD, Leonard, “Tallis’ Tunes and Tudor
Psalmody” Musica Disciplina 2 (1948):189
PIRROTA, Nino, “On the Problem of “Summer is
Icumen In”“ Musica Disciplina 2 (1948):205
TYBY, Ottavio, “Sebastian Raval-A
Sixteenth-Century Spanish Musician in Italy” Musica Disciplina
2 (1948):217
LESURE, François, “Claude Goudimel, ètudiant,
correcteur et èditeur parisien” Musica Disciplina 2 (1948):225
DE VAN; Guillaume, “An Inventory of the
Manuscript Bologna, Liceo Musicale, Q 15 (Olim 37)” Musica
Disciplina 2 (1948):231
REVIEW, D. P. WALKER, “Francis Yates, The French
Academies of the Sixteenth Century” Musica Disciplina 2
(1948):259
Bibliography, “Bibliography 1947-1948 CLERCX,”
Suzanne et al., comp. Musica Disciplina 2 (1948):263
Editor, “Corrigenda” Musica Disciplina 2
(1948):274
Editor, “The Summer Session of the American
Institute of Musicology in Rome” Musica Disciplina 2 (1948):277
Editor, “Communications” Musica Disciplina
2 (1948):279
MOSER, Hans Joachim, “Lutheran Composers in the
Hapsburg Empire 1525-1732” Musica Disciplina 3 (1949):3
SMITS VAN WAESBERGHE, Jos., “Some Music
Treatises and their Interrelation-A School of Liége (ca. 1050-1200)?
Part I” Musica Disciplina 3 (1949):25
LESURE, François, “Pierre Attaingnant, notes et
documents” Musica Disciplina 3 (1949):33
CARAPETYAN, Armen, “Editorial: In Reply to an
Incorrect Statement” Musica Disciplina 3 (1949):45
HANDSCHIN, Jaques, “The Summer Canon and Its
Background. Part I” Musica Disciplina 3 (1949):55
SMITS VAN WAESBERGHE, Jos., “Some Music
Treatises and their Interrelation-A School of Liége (ca. 1050-1200)?
Part II” Musica Disciplina 3 (1949):95
PIRROTA, Nino, “Il Codice di Lucca. Part I:
Descrizione e Inventario” Musica Disciplina 3 (1949):119
APEL, Willi, “The Early Development of the Organ
Ricercar” Musica Disciplina 3 (1949):139
WALKER, D.P. and François LESURE:, “Claude Le
Jeune and Musique Mesurée” Musica Disciplina 3 (1949):151
LESURE, François and D.P. WALKER, “Claude Le
Jeune and Musique Mesurèe” Musica Disciplina 3 (1949):151
MIES, Otto Heinrich, “Elizabethan Music Prints
in an East-Prussian Castle” Musica Disciplina 3 (1949):171
Bibliography, “Bibliography 1949-1950,” VAN DER
LINDEN, Albert et al., comp. Musica Disciplina 3 (1949):173
MOSER, Hans Joachim, “Corrections [to Lutheran
Composers in the Hapsburg Empire 1525-1732.]” Musica Disciplina
3 (1949):184
Communications, “Communications” Musica
Disciplina 3 (1949):185
Announcements, “Announcements” Musica
Disciplina 3 (1949):187
HANDSCHIN, Jaques, “The “Timaeus” Scale”
Musica Disciplina 4 (1950):3
GOMBOSI, Otto, “Gothic Form-A Marginal Note”
Musica Disciplina 4 (1950):43
AVENARY-LOWENSTEIN, Hanoch, “The Mixture
Principle in the Medieval Organ-An Early Evidence” Musica
Disciplina 4 (1950):51
MIES, Otto Heinrich, “Dowland’s Lachrymae Tune”
Musica Disciplina 4 (1950):59
BRIDGMAN, Nanie, “L’Establissement dùn catalogue
par incipit musicaux” Musica Disciplina 4 (1950):65
FERRARA, Mario, “Da “Dabudà” strumento musicale
a “Dabudà” Millantatore” Musica Disciplina 4 (1950):69
CARAPETYAN, Armen, “A Fourteenth-Century
Florentine Treatise in the Vernacular” Musica Disciplina 4
(1950):81
Announcements, “Announcements” Musica
Disciplina 4 (1950):93
VAN DYJK, S.A., “Saint Bernard and the Instituta
Patrum of Saint Gall” Musica Disciplina 4 (1950):99
LI GOTTO, Errore, “Il Codice di Luca. Part II:
Testi letterari. (cf. Pirrotta for Parts I and III)” Musica
Disciplina 4 (1950):111
KAHMANN, B., “Antoine de Fevin-A
Bio-bibliographical Contribution. Part I: Biographical Details”
Musica Disciplina 4 (1950):153
WALKER, D.P., “Some Aspects and Problems of
Musique Mesuée à l’Anitqu-The Rhythm and Notation of Musique Mesurée”
Musica Disciplina 4 (1950):163
LESURE, François, “La Guitare en France au XVIè
Siècle” Musica Disciplina 4 (1950):187
Corrections, “Corrections” Musica Disciplina
4 (1950):196
Bibliography, “Bibliography [1949-1950],”
ELLINWOOD, Leonard, et al., comp. Musica Disciplina 4
(1950):197
Announcements, “Announcements” Musica
Disciplina 4 (1950):215
CARAPETYAN, Armen, “Editorial: A Preface to the
Transcription of Polyphonic Music” Musica Disciplina 5 (1951):3
SMITS VAN WAESBERGHE, Jos., “The Musical
Notation of Guido of Arezzo” Musica Disciplina 5 (1951):15
SMITS VAN WAESBERGHE, Jos., “Guido von Arezzo
and Musical Improvisation” Musica Disciplina 5 (1951):55
HANDSCHIN, Jacques, “The Summer Canon and Its
Background. [Part II]” Musica Disciplina 5 (1951):65
PIRROTA, Nino, “Il Codice di Lucca. Part III: Il
repertorio musicale (cf. Li Gotti for Part II)” Musica Disciplina
5 (1951):115
KAHMANN, B., “Antoine de Fevin-A
Bio-bibliographical Contribution. Part II: A Bibliography” Musica
Disciplina 5 (1951):143
LESURE, François, “Clement Janequin-Recherches
sur sa vie et son oeuvre” Musica Disciplina 5 (1951):157
MOSER, Hans Joachim, “Johannes Zanger’s
Praecepta” Musica Disciplina 5 (1951):195
TYBY, Ottavio, “The Polyphonic School in Sicily
of the Sixteenth-Seventeenth Century” Musica Disciplina 5
(1951):203
APEL, Willi, “Ancent a Ritornello in
Monteverdi’s Orfeo” Musica Disciplina 5 (1951):213
Bibliography, “Bibliography, 1950-1951”
Musica Disciplina 5 (1951):223
CARAPETYAN, Armen, “A Note on Corpus Scriptorum
de Musica” Musica Disciplina 5 (1951):239
Announcements, “Announcements” Musica
Disciplina 5 (1951):241
CARAPETYAN, Armen, “Editorial: Book Reviews and
Musica Disciplina” Musica Disciplina 6 (1952):3
CARAPETYAN, Armen, “Editorial: P.S. to the
Editorial in Musica Disciplina Vol. V. “ Musica Disciplina 6
(1952):5
CARAPETYAN, Armen, “Editorial: A Welcome to a
New Periodical” Musica Disciplina 6 (1952):6
VAN DIJK, S.J.P., “Medieval Terminology and
Methods of Psalm Singing” Musica Disciplina 6 (1952):7
AVENARY, Hanoch, “Abu’l-Salt’s Treatise on
Music” Musica Disciplina 6 (1952):27
REANEY; Gilbert, “A Chronology of the Ballades,
Rondeaux and Virelais set to Music by Guilaume de Machaut” Musica
Disciplina 6 (1952):33
BESSELER, Heinrich, “The Manuscript Bologna
Biblioteca Universitaria 2216” Musica Disciplina 6 (1952):39
CROLL, Gerhard, “Gasper van Weerbeke: An Outline
of His Life and Works” Musica Disciplina 6 (1952):67
HUGHES, Anselm, “An Introduction to Fayrfax”
Musica Disciplina 6 (1952):83
WARD, John, “The Editorial Methods of Venegas de
Henestrosa” Musica Disciplina 6 (1952):105
FEDERHOFER; Helmut, “Alessandro Tadei a Pupil of
Giovanni Gabrieli” Musica Disciplina 6 (1952):115
MOSER, Hans Joachim, “Addendum: Johannes
Zanger’s Praecepta” Musica Disciplina 6 (1952):133
SMITS VAN WAESBERGHE, Jos., “John of Affligem or
John Cotton?” Musica Disciplina 6 (1952):139
REANEY; Gilbert, “Concerning the Origins of the
Rondeau, Virelai and Ballade Forms” Musica Disciplina 6
(1952):155
STEVENS, Denis, “A Unique Tudor Organ Mass”
Musica Disciplina 6 (1952):167
STEVENSON, Robert, “Thomas Morley’s “Plaine and
Easie” Introduction to the Modes” Musica Disciplina 6
(1952):177
Bibliography, “Bibliography, 1951-1952”
Musica Disciplina 6 (1952):185
Announcements, “Announcements” Musica
Disciplina 6 (1952):199
AVENARY, Hanoch, “Formal Structure of Psalms and
Canticles in Early Jewish and Christian Chan” Musica Disciplina
7 (1953):1
SMITS VAN WAESBERGHE, Jos., “A Dutch Easter
Play” Musica Disciplina 7 (1953):15
DITTMER, Luther A., “Binary Rhythm, Musical
Theory and the Worcester Fragments” Musica Disciplina 7
(1953):39
BRAGARD, Roger, “Le Speculum Musicae du
Compilateur Jacques de Liége. [Part I]” Musica Disciplina 7
(1953):59
HARDER, Hanna, “Die Messe von Toulouse”
Musica Disciplina 7 (1953):105
REANEY; Gilbert, “Fourteenth-Century Harmony and
the Ballades, Rondeaux and Virelais of Guilaume de Machaut” Musica
Disciplina 7 (1953):129
SALMEN, Walter, “Werdegang und Lebensfülle des
Oswald von Wolkenstein” Musica Disciplina 7 (1953):147
MEIER, Bernhard, “Die Handschrift Porto 714 als
Quelle zur Tonartlehre des 15. Jahrhunderts” Musica Disciplina
7 (1953):175
FRASER, Russell A., “Early Elizabethan Songs:
John Hall’s Court of Virtue, 1565” Musica Disciplina 7
(1953):199
FEDERHOFER; Helmut, “Matthia Ferrabosco”
Musica Disciplina 7 (1953):205
Bibliography, “Bibliography, 1952-1953”
Musica Disciplina 7 (1953):235
Announcements, “Announcements” Musica
Disciplina 7 (1953):247
CARAPETYAN, Armen, “Editorial: What is the
Primary Task of Musical Scholarship?” Musica Disciplina 8
(1954):I
BRAGARD, Roger, “Le Speculum Musicae du
Compilateur Jaques de Liége. [Part II]” Musica Disciplina 8
(1954):1
DITTMER, Luther A., “An English Discantuum
Volumen” Musica Disciplina 8 (1954):19
REANEY; Gilbert, “The Manuscript Chantilly,
Musée Condé 1047” Musica Disciplina 8 (1954):59
BOWLES; Edmund A., “Haut and Bas: The Grouping
of Musical Instrument in the Middle Ages” Musica Disciplina 8
(1954):115
FELDMANN; Fritz, “Untersuchungen vom
Wort-Ton-Verhältnis in den Gloria-Credo-Sätzen von Dufay bis Josquin”
Musica Disciplina 8 (1954):141
BERNET KEMPERS, K. Ph., “A Composition by
Clements non Papa in a 16th-Century Painting” Musica Disciplina
8 (1954):173
Bibliography, “Bibliography, 1953-1954”
Musica Disciplina 8 (1954):177
Announcements, “Announcements” Musica
Disciplina 8 (1954):189
CARAPETYAN, Armen, “[Editorial:] Ten Years of
the American Institute of Musicology, 1945-1955” Musica Disciplina
9 (1955):3
MEYER-BEAR, Kathi, “Saints of Music” Musica
Disciplina 9 (1955):11
DITTMER, Luther A., “The Ligatures of the
Montpelier Manuscript” Musica Disciplina 9 (1955):35
PIRROTA, Nino, “Marchetutts de Padua and the
Italian Ars Nova” Musica Disciplina 9 (1955):57
REANEY; Gilbert, “The Manuscript Oxford,
Bodleian Library, Canonici Misc. 213” Musica Disciplina 9
(1955):73
STEVENS, Denis, “Processional Psalms in Faburden”
Musica Disciplina 9 (1955):105
SEAY, Albert, “Ugolino of Orvieto, Theorist and
Composer” Musica Disciplina 9 (1955):111
FEDERHOFER; Helmut, “Graz Court Musicians and
Their contribution to the “Parnassus musicus Ferdinandaes” (1615)”
Musica Disciplina 9 (1955):167
Announcements, “Announcements” Musica
Disciplina 9 (1955):245
REANEY; Gilbert, Andre GILLES, and Jean MAILLARD,
“The ‘Arts Nova’ of Philippe de Vitry” Musica Disciplina 10
(1956):5
REANEY, Gilbert André GILLES, and Jean MAILLARD,
eds., “Ars Nova Magistri Philippe de Vitriaco” Musica Disciplina
10 (1956):13
GILLES, Andrè, “Un Témoignage inédit de
l’enseignement de Philippe de Vitry” Musica Disciplina 10
(1956):35
REANEY; Gilbert, “A Postscript to “The
Manuscript Chantilly, Musée Condé 1047”“ Musica Disciplina 10
(1956):55
PIRROTA, Nino, “Paolo da Firenze in un nuovo
frammento dell’ Ars Nova” Musica Disciplina 10 (1956):61
MEIER, Bernhard, “The Musica Reservata of
Adrianus Petit Coclico and its Relationship to Josquin” Musica
Disciplina 10 (1956):67
MACCLINTOCK, Carol, “Some Notes on the Secular
Music of Giaches de Wert” Musica Disciplina 10 (1956):106
CUTTS, John P., “Seventeenth-Century Lyrics.
Oxford, Bodleian, Ms. Mus. b.l.” Musica Disciplina 10
(1956):142
Bibliography, “Bibliography 1955” Musica
Disciplina 10 (1956):210
Publications, “Available Publications of the
American Institute of Musicology” Musica Disciplina 10
(1956):232
Announcements, “New Issues” Musica Disciplina
10 (1956):236
DITTMER, Luther A., “The Dating and the Notation
of the Worcester Fragments” Musica Disciplina 11 (1957):5
GILLES, André, Jean MAILLARD, and Gilbert REANEY,
eds., “Philippe de Vitry, Ars Nova (Translation of Text)” Musica
Disciplina 11 (1957):12
REANEY; Gilbert, “The Breviarium regulare musice
of Ms. Oxford, Bodley 842” Musica Disciplina 11 (1957):31
FISCHER, Kurt von, “The Manuscript Paris, Bibl.
Nat. Nouv. Acq. Frc. 6771 (Codex Reina = PR)” Musica Disciplina
11 (1957):38
HOPPIN, Richard H., “The Cypriot-French
Repertory of the Manuscript Torino, Bibliotheca Nazionale, J.II.9”
Musica Disciplina 11 (1957):79
SEAY, Albert, “The Declaration musicae
disciplinae of Ugolino of Orchvieto: Addenda” Musica Disciplina
11 (1957):126
WARREN, Edwin B., “Life and Works of Robert
Fayrfax” Musica Disciplina 11 (1957):134
GILL, Louis A., “The Anthems of Thomas Tomkins:
An Introduction (with Transcriptions of 2 Anthems)” Musica
Disciplina 11 (1957):153
Bibliography, “Bibliography [1956]” Musica
Disciplina 11 (1957):169
Publications, “Available Publications of the
American Institute of Musicology” Musica Disciplina 11
(1957):198
MACHABEY, A., “A Propos des Quadruples
Pèrotiniens” Musica Disciplina 12 (1958):3
GÜNTHER, Ursula, “The Fourteenth-Century Motet
and Its Development” Musica Disciplina 12 (1958):27
GILLES, André and Gilbert REANEY, “A New Source
for the Ars Nova of Philippe de Vitry” Musica Disciplina 12
(1958):59
REANEY; Gilbert, “The Manuscript, British
Museum, Additional 29987 (Lo)” Musica Disciplina 12 (1958):67
HOPPIN, Richard H., “An Unrecognized Polyphonic
Lai of Machaut” Musica Disciplina 12 (1958):93
FINSCHER; Ludwig, “Loyset Compère and His Works
[Parts I-III]” Musica Disciplina 12 (1958):105
WARREN, Edwin B., “The Masses of Robert Fayfax”
Musica Disciplina 12 (1958):145
Bibliography, “Bibliography 1957” Musica
Disciplina 12 (1958):177
MAILLARD, Jean, “Le “Lai” et la “Note” du
Chèvrefeuille” Musica Disciplina 13 (1959):3
BLUM, Fred, “Another Look at the Montpellier
Organum Treatise” Musica Disciplina 13 (1959):15
REANEY; Gilbert, “The Poetic Form of Machaut’s
Musical Works. Part I: The Ballades, Rondeaux and Virelais” Musica
Disciplina 13 (1959):25
TROWELL, Brian, “Faburden and Fauxbourdon”
Musica Disciplina 13 (1959):43
CARAPETYAN, Armen, “The Codex Faenza, Biblioteca
Comunale, 117 [Fa]. A Facsimile Edition [Part I]” Musica Disciplina
13 (1959):79
MACCLINTOCK, Carol, “Molinet, Music, and
Medieval Rhetoric” Musica Disciplina 13 (1959):109
FINSCHER; Ludwig, “Loyset Compère and His Works,
IV: The Masses and Mass Sections” Musica Disciplina 13
(1959):123
STEVENS, Denis, “The Manuscript Edinburgh,
National Library of Scotland, Adv. Ms. 5.1.15” Musica Disciplina
13 (1959):155
CUTTS, John P., “Seventeenth-Century Songs and
Lyrics in Edinburgh University Library, Music Ms. Dc.1.69” Musica
Disciplina 13 (1959):169
Bibliography, “Bibliography 1958” Musica
Disciplina 13 (1959):195
Announcements, “Available Publications of the
American Institute of Musicology” Musica Disciplina 13
(1959):203
CARAPETYAN, Armen, “Editorial: On Oddments as
Reviews (again), One Review in Particular, on Humans (in General), on
Editing and Editions (both in General and Particular), on Corpus
Mensurabilis Musicae, the American Institute of Musicology, etc. . .
.” Musica Disciplina 14 (1960):3
HOPPIN, Richard H., “Notational Licenses of
Guillaume de Machaut” Musica Disciplina 14 (1960):13
REANEY; Gilbert, “A Postscript to Philippe de
Vitry’s Ars Nova” Musica Disciplina 14 (1960):29
REANEY; Gilbert, “The Manuscript Paris,
Bibliothéque Nationale, Fonds Italien 568 (Pit)” Musica Disciplina
14 (1960):33
CARAPETYAN, Armen, “The Codex Faenza, Biblioteca
Comunale, 117 [Fa]. A Facsimile Edition [Part II]” Musica
Disciplina 14 (1960):65
BERGSAGEL, John D., “An Introduction to Ludford
(1485-c.1557)” Musica Disciplina 14 (1960):105
FINSCHER; Ludwig, “Loyset Compère and His Works,
Part V: The Motetti Missales” Musica Disciplina 14 (1960):131
HORSLEY, Imogene, “The Sixteenth-Century
Variation and Baroque Counterpoint” Musica Disciplina 14
(1960):159
LE HURAY, Peter, “Towards a Definitive Study of
Pre-Restoration Anglican Service Music” Musica Disciplina 14
(1960):167
SCHMIEDER. Wolfgang, comp., “Bibliography 1959”
Musica Disciplina 14 (1960):197
Announcements, “Available Publications of the
American Institute of Musicology” Musica Disciplina 14
(1960):205
CARAPETYAN, Armen, “Editorial: Problems of
Editing and Publishing Old Music” Musica Disciplina 15 (1961):5
REANEY; Gilbert, “Some Little-Known Sources of
Medieval Polyphony in England” Musica Disciplina 15 (1961):15
GILLES, Andrè, “L’Anonyme III de Coussemaker,
Scriptores III” Musica Disciplina 15 (1961):27
GÜNTHER, Ursula, “Datierbare Balladen des Späten
14. Jahrhunderts. Part I” Musica Disciplina 15 (1961):39
CARAPETYAN, Armen, “The Codex Faenza, Biblioteca
Comunale, 117 [Fa]. A Facsimile Edition [Part III]” Musica
Disciplina 15 (1961):63
GOTTLWALD, Clytus, “Johannes Ghiselin-Janne
Verbonnet: Some Traces of His Life” Musica Disciplina 15
(1961):105
WARREN, Edwin B., “Robert Fairfax: Motets and
Settings of the Magnificat” Musica Disciplina 15 (1961):113
BAIRD; Margery Anthea, “Changes in the Literary
Texts of the Late 15th and Early 16th Centuries, as Shown in the Works
of the Chanson Composers of the Pays-Bas Méridionaux” Musica
Disciplina 15 (1961):145
MILLER, Clement A., “The Dodecachordon: Its
Origins and Influence on Renaissance Musical Thought” Musica
Disciplina 15 (1961):155
KAUFMANN, Henry W., “The Motets of Nicola
Vicentino” Musica Disciplina 15 (1961):169
BERNET KEMPERS, K. Ph., “Jacobus Clemens non
Papa’s Chansons in Their Chronological Order” Musica Disciplina
15 (1961):187
ARNOLD, Denis, “Towards a Biography of Giovanni
Gabrieli” Musica Disciplina 15 (1961):199
MACCLINTOCK, Carol, “Giustiniani’s Discorso
Sopra la Musica” Musica Disciplina 15 (1961):209
SCHMIEDER. Wolfgang, comp., “Bibliography
[1960]” Musica Disciplina 15 (1961):227
Announcements, “Available Publications of the
American Institute of Musicology” Musica Disciplina 15
(1961):245
CARAPETYAN, Armen, “Editorial: What is “American
Music”?” Musica Disciplina 16 (1962):5
HARRISON, Frank L., “Faburden in Practice”
Musica Disciplina 16 (1962):11
BERGSAGEL, John D., “On the Performance of
Ludford’s Alternatim Masses” Musica Disciplina 16 (1962):35
CUTTS, John P., ““Songs Vnto the Violl and
Lute”-Drexel Ms. 4175” Musica Disciplina 16 (1962):73
FINSCHER; Ludwig, “Loyset Compère and His Works,
Part VI: The Tenor Motets and Analogous Forms” Musica Disciplina
16 (1962):93
YOUNG, William, “Keyboard Music to 1600. Part I”
Musica Disciplina 16 (1962):115
GÜNTHER, Ursula, “Datierbare Balladen des späten
14. Jahrhunderts. Part II” Musica Disciplina 16 (1962):151
HAAR, James, “Astral Music in
Seventeenth-Century Nuremberg: the Tugendsterne of Harsdörfer und
Staden” Musica Disciplina 16 (1962):175
Announcements, “Available Publications of the
American Institute of Musicology” Musica Disciplina 16
(1962):191
MACHABEY, A., “Notions scientifiques disseminèes
dans les textes musicologiques du moyen age” Musica Disciplina
17 (1963):7
MAILLARD, Jean, “Lais & Chansons d’Ernoul de
Gastinois” Musica Disciplina 17 (1963):21
WILKINS, Nigel, “The Codex Reina: A Revised
Description (Paris, Bibl. Nat., ms.n.a.fr. 6771)” Musica Disciplina
17 (1963):57
FISCHER, Kurt von, “Reply to N.E. Wilkins’
Article on the Codex Reina” Musica Disciplina 17 (1963):75
GÜNTHER, Ursula, “Die Musiker des Herzogs von
Berry” Musica Disciplina 17 (1963):79
CROSS, Ronald, “The Life and Works of Matthaeus
Pipelare” Musica Disciplina 17 (1963):97
D’ACCONE, Frank A., “Bernado Pisano: An
Introduction to His Life and Works” Musica Disciplina 17
(1963):115
WHITE, John R., “The Tablature of Johannes of
Lublin” Musica Disciplina 17 (1963):137
YOUNG, William, “Keyboard Music to 1600. Part
II: French and Italian Sources” Musica Disciplina 17 (1963):163
SCHMIEDER. Wolfgang, comp., “Bibliography
1961-1962” Musica Disciplina 17 (1963):195
Publications, “Medieval and Renaissance
Publications of the American Institute of Musicology” Musica
Disciplina 17 (1963):227
SYNAN, Edward A., “An Augustinian Testimony to
Polyphonic Music?” Musica Disciplina 18 (1964):3
REANEY; Gilbert, “The Question of Authorship in
the Medieval Treatises on Music” Musica Disciplina 18 (1964):7
SMITH, F. Joseph, “Ars Nova-A Re-definition?
(Observations in the Light of Speculum Musicae I by Jacques de Liège.)
Part I,” Musica Disciplina 18 (1964):19
MIXTER, Keith, “Johannes Brassart: A
Biographical and Bibliographical Study. I (Biography)” Musica
Disciplina 18 (1964):37
SLIM, H: Colin, “Francesco da Milano
(1497-1543/44)-A Bio-Bibliographical Study. I (Biography)” Musica
Disciplina 18 (1964):63
BERNET KEMPERS, K. Ph., “Bibliography of the
Sacred works of Jacobus Clemens non Papa. A Classified List with a
Notice on His Life” Musica Disciplina 18 (1964):85
CUTTS, John P., “Drexel Manuscript 4041. ”…Earl
Ferrers’ Ms.-A Treasure House of Early Seventeenth-Century Song and
Dramatic Lyric”“ Musica Disciplina 18 (1964):151
MIXTER, Keith, comp., “Bibliography 1963”
Musica Disciplina 18 (1964):203
CARAPETYAN, Armen, “A Note About the
Publications of the American Institute of Musicology” Musica
Disciplina 18 (1964):219
Publications, “Publications of the American
Institute of Musicology” Musica Disciplina 18 (1964):223
SANDERS, Ernest H., “Cantilena and Discant in
Fourteenth-Century England” Musica Disciplina 19 (1965):7
REANEY; Gilbert, “New Sources of Ars Nova Music”
Musica Disciplina 19 (1965):53
GÜNTHER, Ursula, “Eine Ballade auf Mathieu de
Foix” Musica Disciplina 19 (1965):69
SMITH, F. Joseph, “Ars-Nova-A Re-definition? II”
Musica Disciplina 19 (1965):83
MIXTER, Keith, “Johannes Brassart: A
Biographical and Bibliographical Study. Part II: The Music” Musica
Disciplina 19 (1965):99
SLIM, H: Colin, “Francesco da Milano
(1497-1543/44)-A Bio-Bibliographical Study. Part II: Bibliography”
Musica Disciplina 19 (1965):109
CALDWELL, John, “Keyboard Plainsong Settings in
England 1500-1660” Musica Disciplina 19 (1965):129
MIXTER, Keith, comp., “Bibliography 1964”
Musica Disciplina 19 (1965):155
Publications, “Publications of the American
Institute of Musicology” Musica Disciplina 19 (1965):177
CARAPETYAN, Armen, “Editorial: [20 years A.I.M.]”
Musica Disciplina 20 (1966):7
FLINDELL, Edwin Frederick, “JOH[ann]is Cottonis”
Musica Disciplina 20 (1966):11
FISCHER, Kurt von, “Ein Versuch zur Chronologie
von Landinis Werken” Musica Disciplina 20 (1966):31
KEMP, Walter H., “A Chanson for Two Voices by
Cesaris, Mon seul voleur” Musica Disciplina 20 (1966):47
PEASE, Edward, “A Report on Codex Q16 of the
Civico Museo Bibliografico Musicale (Formerly of the Conservatorio
Statale di Musica “G.B. Martini”), Bologna” Musica Disciplina
20 (1966):57
HAAR, James, “Pace non trovo: A Study in
Literary and Musical Parody” Musica Disciplina 20 (1966):95
D’ACCONE, Frank A., “The Intavalotura di M.
Alamanno Aiolli” Musica Disciplina 20 (1966):151
MIXTER, Keith, comp., “Bibliography 1965”
Musica Disciplina 20 (1966):175
Publications, “Publications of the American
Institute of Musicology” Musica Disciplina 20 (1966):193
MAILLARD; Jean, “Charles D’Anjou, Roi-Trauvère
du XIIIème siècle” Musica Disciplina 21 (1967):7
HARRISON, Frank, “Ars Nova in England: A New
Source” Musica Disciplina 21 (1967):67
REANEY, Gilbert, “Towards a Chronology of
Machaut’s Musical Works” Musica Disciplina 21 (1967):87
HUGHES, Andrew and Margaret BENT, “The Old Hall
Manuscript-A Re-appraisal and an Inventory” Musica Disciplina
21 (1967):97
MIXTER, Keith, comp., “Bibliography 1966”
Musica Disciplina 21 (1967):149
Publications, “Publications of the American
Institute of Musicology” Musica Disciplina 21 (1967):167
HARBINSON, Denis, “Consonance and Dissonance in
the Old Corpus of the Montpellier Motet Manuscript” Musica
Disciplina 22 (1968):5
GÜNTHER, Ursula, “Zwei Balladen auf Betrand und
Olivier du Guesclin” Musica Disciplina 22 (1968):15
HAMM, Charles, “A Catalogue of Anonymous English
Music in Fifteenth-Century Continental Manuscripts” Musica
Disciplina 22 (1968):47
NOBLITT, Thomas L., “The Ambrosian Motetti
Missales Repertory” Musica Disciplina 22 (1968):77
MILLER, Clement A:, “Gaffurius’s Practica Musica:
Oigin and Cntents” Musica Disciplina 22 (1968):105
JEFFERY, Brian, “Antony Holborne” Musica
Disciplina 22 (1968):129
CLARK, J. Bunker, “Adrian Batten and John
Barnard: Colleagues and Collaborators” Musica Disciplina 22
(1968):207
PEASE, Edward, “A Re-examination of the Caccia
Found in Bologna, Civico Museo, Codex Q16” Musica Disciplina 22
(1968):231
MIXTER, Keith, comp., “Bibliography 1967”
Musica Disciplina 22 (1968):235
Publications, “Publications of the American
Institute of Musicology” Musica Disciplina 22 (1968):255
FINDELLI, E.F., “Joh[ann]is Cottonis: Corrigenda
et Addenda” Musica Disciplina 23 (1969):7
GALLO, Alberto F., “Tra Giovanni di Garlandia e
Filippo da Vitry” Musica Disciplina 23 (1969):13
HUGHES, Andrew, “Ugolino: The Monochord and
Musica Ficta” Musica Disciplina 23 (1969):21
SOUTHERN, Eillen, “El Escorial, Monastery
Library, Ms. IV a. 24” Musica Disciplina 23 (1969):41
FULLER, Sarah, “Additional Notes on the
15th-Century Chansonnier Bologna Q16” Musica Disciplina 23
(1969):81
DIXON, Helen M:, “The Manuscript Vienna National
Library, 1783” Musica Disciplina 23 (1969):105
CUTTS, John, “Seventeenth-Century Songs and
Lyrics in Paris Conservatoire Ms. Rès. 2489” Musica Disciplina
23 (1969):117
MIXTER, Keith, comp., “Bibliography (1967-1968)
compiled by Keith E. Mixter” Musica Disciplina 23 (1969):141
Publications, “Publications of the American
Institute of Musicology” Musica Disciplina 23 (1969):159
HASSELMAN, Margaret and Thomas WALKER, “More
Hidden Polyphony in a Machaut Manuscript” Musica Disciplina 24
(1970):7
GÜNTHER, Ursula, “
Musica Disciplina 26 (1972):145
WARD, Tom R., “The Polyphonic Office Hymn and
the Liturgy of Fifteenth-Century Italy” Musica Disciplina 26
(1972):161
BENHAM, Hugh, “The Formal Design and
Construction of Taverner’s Works” Musica Disciplina 26
(1972):189
Bibliography, “Bibliography, compiled by Keith
Mixter” Musica Disciplina 26 (1972):211
Publications, “Publications of the American
Institute of Musicology” Musica Disciplina 26 (1972):235
GALLO, Alberto F., “Astronomy and Music in the
Middle Ages: the Liber introductorius by Michael Scot” Musica
Disciplina 27 (1973):5
ANDERSON, Gordon A., “Motets of the Thirteenth
Century Manuscript La Clayette [Part I]” Musica Disciplina 27
(1973):11
APEL, Willi, “The Development of French Secular
Music During the Fourteenth Century” Musica Disciplina 27
(1973):41
FISCHER, Kurt Von, ““Porträts” von Piero,
Giovanni da Firenze und Jacopo da Bologna in einer Bologneser
Handschrift des 14. Jahrhunderts?” Musica Disciplina 27
(1973):61
D’ACCONE, Frank A., “Matteo Rampolini and his
Petrarchan Canzoni Cycles” Musica Disciplina 27 (1973):65
HARRÁN, Don, “The Theorist Giovanni del Lago: a
New View of the Man and his Writings” Musica Disciplina 27
(1973):107
Bibliography, “Bibliography,” Keith Mixter,
comp. Musica Disciplina 27 (1973):153
Publications, “Publications of the American
Institute of Musicology” Musica Disciplina 27 (1973):175
ANDERSON, Gordon A., “Motets of the
Thirteenth-Century Manuscript La Clayette [Part II]” Musica
Disciplina 28 (1974):5
WILKINS, Nigel, “Music in the Fourteenth-Century
Miracles de nostre Dame” Musica Disciplina 28 (1974):39
JOSEPHSON, Nors S., “Agnus Dei I from Robert de
Févin, Missa La sol mi fa mi re” Musica Disciplina 28 (1974):77
NOBLITT, Thomas L., “Manuscript mus 1/D/506 of
the Sächsische Landesbibliothek Dresden (Olim Annaberg, Bibliothek der
St. Annenkirche, MS 1126)” Musica Disciplina 28 (1974):81
LINDLEY, Mark, “Early 16th-Century Keyboard
Temperaments” Musica Disciplina 28 (1974):129
BROTHERS, Lester D., “Avery Burton and his
Hexachord Mass” Musica Disciplina 28 (1974):153
Bibliography, “Bibliography, compiled by Keith
Mixter” Musica Disciplina 28 (1974):177
Publications, “Publications of the American
Institute of Musicology” Musica Disciplina 28 (1974):193
BOE, John, “Rhythmical Notation in the
Beneventan Gloria Trope “Aureas Arces”“ Musica Disciplina 29
(1975):5
SWEENY, Cecily, “John Wylde and the Musica
Guidonis” Musica Disciplina 29 (1975):43
MANIATES, Maria Rika, “Combinative Chansons in
the Escorial Chansonnier” Musica Disciplina 29 (1975):61
WARD, Tom R., “The Structure of the Manuscript
Trent 92-I” Musica Disciplina 29 (1975):127
JOSEPHSON, Nors S., “Some Remarks on the Music
of Nicolas Champion” Musica Disciplina 29 (1975):149
Bibliography, “Bibliography,” Keith Mixter,
comp. Musica Disciplina 29 (1975):165
Publications, “Publications of the American
Institute of Musicology” Musica Disciplina 29 (1975):179
CARAPETYAN. Armen, “Editorial” Musica
Disciplina 30 (1976):7
BROCKETT, C.W. Jr., “Saeculorum Amen and
Differentia: Practical versus Theoretical Tradition” Musica
Disciplina 30 (1976):13
SANDON, Nicholas, “Fragments of Medieval
Polyphony at Canterbury Cathedral” Musica Disciplina 30
(1976):37
BURSTYN, Shai, “Power’s Anima mea and Binchois’
De plus en plus: A Study in Musical Relationship” Musica Disciplina
30 (1976):55
DUGGAN, Mary Kay, “Queen Joanna and her
Musicians” Musica Disciplina 30 (1976):73
KEMP, Walter H., “The Manuscript Escorial V.III”
Musica Disciplina 30 (1976):97
Publications, “Publications of the American
Institute of Musicology” Musica Disciplina 30 (1976):131
FULLER, Sarah, “An Anonymous Treatise dictus de
Sancto Martiale” Musica Disciplina 31 (1977):5
TISCHLER, Hans, “Latin Texts in the Early Motet
Collections: Relationships and Perspectives” Musica Disciplina
31 (1977):31
ATLAS, Allan W., “On the Provenance of the
Manuscript Perugia, Biblioteca Comunale Augusta, 431 (G20)” Musica
Disciplina 31 (1977):45
GARDEN, Greer, “Francois Roussel: A Northern
Musician in Sixteenth-Century Rome” Musica Disciplina 31
(1977):107
LUOMA, Robert G., “Relationship between Music
and Poetry (Cipriano de Rore’s Quando signor lasciaste)” Musica
Disciplina 31 (1977):135
KURTZMAN, Jeffry, “Giovanni Francesco Capello,
an Avant-Gardist of the Early Seventeenth Century” Musica
Disciplina 31 (1977):155
Publications, “Publications of the American
Institute of Musicology” Musica Disciplina 31 (1977):183
BARCLAY, Barbara, “Organa Letitie” Musica
Disciplina 32 (1978):5
ANDERSON, Gordon A., “The Notation of the
Bamberg and El Huelgas Manuscripts” Musica Disciplina 32
(1978):19
WINN, Mary Beth, “Le Cueur la suyt. Chanson on a
Text for Marguerite d’Austriche. Another Trace in the Life of Johannes
Ghiselin-Verbonnet” Musica Disciplina 32 (1978):69
BUTLER, Gregory G., “Music and Memory in
Johannes Rombergch’s Congestorium (1520)” Musica Disciplina 32
(1978):73
PRIZER, William F., “Marchetto Cara at Mantua.
New Documents on the Life and Duties of a Renaissance Court Musician”
Musica Disciplina 32 (1978):87
BROTHERS, Lester D, “New Light on an Early Tudor
Mass. Avery Burton’s Missa ut re mi fa sol la” Musica Disciplina
32 (1978):111
Publications, “Publications of the American
Institute of Musicology” Musica Disciplina 32 (1978):127
FULLER, Sarah, “The Myth of “Saint Martial”
Polyphony. A Study of Sources” Musica Disciplina 33 (1979):5
REANEY, Gilbert, “Transposition and “Key”
Signatures in Late Medieval Music” Musica Disciplina 33
(1979):27
WINN, Mary Beth, “Some Texts for the Chansons of
Loyset Compère” Musica Disciplina 33 (1979):43
BERNSTEIN, Jane A., “Philip Van Wilder and the
Netherlandish Chanson in England” Musica Disciplina 33
(1979):55
D’ACCONE, Frank A., “The Florentine Frau Mauros.
A Dynasty of Musical Friars” Musica Disciplina 33 (1979):77
KREIDER, J. Evan, “The Keyboard Parody Canzonas
by Giovanni Cavaccio in Sudor Musicali (Venice 1626)” Musica
Disciplina 33 (1979):139
Publications, “Publications of the American
Institute of Musicology” Musica Disciplina 33 (1979):149
BROCKETT Clyde W., “The Role of the Office
Antiphon in the Tenth-Century Liturgical Drama” Musica Disciplina
34 (1980):5
SMITH, Norman E., “From Clausula to Motet:
Material for Further Studies in the Origin an Early History of the
Motet” Musica Disciplina 34 (1980):29
YUDKIN, Jeremy, “The Copula According to
Johannes de Garlandia” Musica Disciplina 34 (1980):67
COUCHMAN, Jonathan Paul, “The Lorraine
Chansonnier: Antonie de Lorraine and the Court of Lois XII” Musica
Disciplina 34 (1980):85
CUNNINGHAM, Caroline M., “Ensemble Dances in
Early Sixteenth-Century Italy: Relationships with Villotte and
Franco-Flemish Danceries” Musica Disciplina 34 (1980):159
CHAN, Mary, “The Witch of Endor and
Seventeenth-Century Propaganda” Musica Disciplina 34 (1980):205
CALDWELL; John, “Keyboard Plainsong Settings in
England, 1500-1660. Addenda et Corrigenda” Musica Disciplina 34
(1980):215
Publications, “Publications of the American
Institute of Musicology” Musica Disciplina 34 (1980):221
BROWNE, Alma Colk, “The a-p System of Letter
Notation” Musica Disciplina 35 (1981):5
COLDWELL, Maria V., “Guillaume de Dole and
Medieval Romances with Musical Interpolations” Musica Disciplina
35 (1981):55
BERGER, Carol, “The Hand and the Art of Memory”
Musica Disciplina 35 (1981):87
BLACKBURN, Bonnie J:, “Two “Carnival Songs”
Unmasked: A Commentary on MS Florence Magl. XIX.121” Musica
Disciplina 35 (1981):121
ETZION, Judith, “The Spanish Polyphonic Ballad
in 16th-Century Vihuela Publications” Musica Disciplina 35
(1981):179
REYNOLDS, Robert D., “Tres Douchement by Grossin”
Musica Disciplina 35 (1981):199
Publications, “Publications of the American
Institute of Musicology” Musica Disciplina 35 (1981):203
BOE, John, “Gloria A and the Roman Easter Vigil
Ordinary” Musica Disciplina 36 (1982):5
GOMEZ, Ma Carmen, “El Manuscrito 823 de
Montserrat (Biblioteca del Monasterio)” Musica Disciplina 36
(1982):39
KOEHLER, Laurie, “Subtilitas in Musica: A
Reexamination of Johannes Olivier’s ‘Si Con Cy Gist’” Musica
Disciplina 36 (1982):96
SCHROEDER, Eunice, “The Stroke Comes Full
Circle: [Stroke-]O and [Stroke-]C in Writings on Musica, ca.
1450-1540” Musica Disciplina 36 (1982):119
BONGE, Dale, “Gaffurius on Pulse and Tempo: A
Reinterpretation” Musica Disciplina 36 (1982):167
CRAWFORD, David, “A Chant Manual in
Sixteenth-Century Italy” Musica Disciplina 36 (1982):175
Publications, “Publications of the American
Institute of Musicology” Musica Disciplina 36 (1982):191
REANEY, Gilbert and Frank A. D’ACCONE,
“Editorial” Musica Disciplina 37 (1983):7
LOWINSKY, Edward E., “Homage to Armen Carapetyan”
Musica Disciplina 37 (1983):9
HUGHES, Andrew, “Modal Order and Disorder in the
Rhymed Office” Musica Disciplina 37 (1983):29
BENT, Margaret, “The Machaut Manuscripts Vg., B
and E” Musica Disciplina 37 (1983):53
PIRROTTA; Nino, “Rhapsodic Elements in
North-Italian Polyphony of the 14th Century” Musica Disciplina
37 (1983):83
REANEY, Gilbert, “The Anonymous Treatise De
origine et effectu musicae, an Early 15th Century Commonplace Book of
Music Theory” Musica Disciplina 37 (1983):101
D ‘ACCONE, Frank A., “A Late 15th-Century
Sienese Sacred Repertory: MS K.I.2 of Biblioteca Comunale, Siena”
Musica Disciplina 37 (1983):121
MAYER BROWN, Howard, “A “New” Chansonnier of the
Early Sixteenth Century in the University of Uppsala: A Preliminary
Report” Musica Disciplina 37 (1983):171
HARRÁN, Don, “Stories from the Hebrew Bible in
Music of the Renaissance” Musica Disciplina 37 (1983):235
SLIM, H, Collin, “Music In and Out of Egypt: A
Little-Studied Iconographical Tradition” Musica Disciplina 37
(1983):289
PALISCA; Claude V., “A Discourse on the
Performance of Tragedy by Giovanni De’ Bardi(?)” Musica Disciplina
37 (1983):327
ALTENBURG, Detlef, “Die Musik in der
Fronleichnamsprozession des 14. und 15. Jahrhunderts” Musica
Disciplina 38 (1984):5
MAYER BROWN, Howard, “St. Augustin, Lady Music
and the Gittern in Fourteenth-Century Italy” Musica Disciplina
38 (1984):25
GÓMEZ, Ma Carmen, “Musique et Musiciens dans les
Chapelles de la Maison Royale d’Aragon (1336-1413)” Musica
Disciplina 38 (1984):67
GÜNTHER, Ursula, “Unusual Phenomena in the
Transmission of Late Fourteenth-Century Polyphonic Music” Musica
Disciplina 38 (1984):87
HUCKE; Helmut, “Das Dekret “Docte Sanctorum
Patrum” Papst Johannes’ XXII” Musica Disciplina 38 (1984):119
MCKINNON, James, “The Late Medieval Psalter:
Liturgical or Gift Book?” Musica Disciplina 38 (1984):133
REANY, Gilbert, “The Social Implications of
Polyphonic Mass Music in Fourteenth-Century England” Musica
Disciplina 38 (1984):159
SOUNDERS, Suparmi E:, “The Liturgies of Trent
and Brixen in the Fifteenth Century” Musica Disciplina 38
(1984):173
STINSON, John A:, “An English Choirbook Fragment
in the National Library of Australia” Musica Disciplina 38
(1984):195
STROHM, Reinhard, “Native and Foreign Polyphony
in Late Medieval Austria” Musica Disciplina 38 (1984):205
GÓMEZ,
